Hosted by Von Goetz art.

Bea Bonafini, Maisie Cousins, Charlotte Colbert, Dan Coopey, Alix Janta, Pablo
de Laborde Lascaris, Adeline de Monseignat, and Laurence Owen
Curated by Mia Pfeifer
A film by Cristina Gallego and Ciro Guerra
7 FEBRUARY 2019, 6.30 PM

FiBRA presents an exclusive preview of the critically acclaimed film as part of the
program of events to accompany their first exhibition.


In February 2018, FiBRA residency invited eight London-based multidisciplinary artists to observe and participate in the textile-centred practices of the Kogi and Wayuu indigenous communities in Colombia, for whom the preservation of ancient skills in the working of natural fibres is considered to be a fundamental and indispensable element of their social structure.

For both the Kogi and the Wayuu, the geographical location of their revered land offered for centuries a niche for their traditions to prevail, but these sacred territories are no longer exempt from the realities of globalisation and complexity of today’s interrelated world.

During FiBRA, we bear witness to the impact on the ecosystem and society due to the increase of new visitors and tourists to La Sierra Nevada de Santa Marta y La Guajira, inadequate management of natural resources and environmental pollution, introduction to new materials, dietary changes and forced displacement which irrevocably affects directly the sustainable practice of the Wayuu and Kogi daily traditions and challenges the preservation of their core values.

“This experience was a deep reminder of our existential relationship to the land and to matter. In our western lives, in cities, surrounded by man-made structures, belief systems and our own reality – the news, social media, clocks, buildings, tarmac – we are somehow allowed to forget that everything, absolutely everything that surrounds us, comes from this planet we live on. The food we eat, the water we drink, the copper in our phones, our drugs, our cars, our machines, our feelings, our children, our mucous, our hair, our hair removal products… We know it, obviously, as something we are taught in books, at school. But we forget it. We brush it aside and stick to our human bubble of time and rituals and symbols. We talk about conservation, preservation, climate change, ecology, as things that are academic and scientific rather than existential.
Being in a context where the chains of production and consumption are all localised brought that reality home: you cut the leaf that you weave your clothes with; if you want to eat chicken you kill it yourself - it’s not abstracted into a chicken nugget; when you wash yourself, you see the impact of your soap in the water… Your footprint is visible, and you remember that everything could have been otherwise. That what we live in is not some transcendental reality but a set of beliefs that we decide to adhere to and are taught to ascribe to, hand over power to, play the rules to.
There is something awe-inspiring about the sheer scale and ambition of human culture. We depend on millions of people every day simply to feed ourselves, clothe ourselves, house ourselves. We are surrounded by man-made things, mirrors of ourselves, and I sometimes wonder if we aren’t drowning in our own narcissism.” *

*Charlotte Colbert, extract from an interview by Bea Bonafini and Mia Pfeifer for FiBRA ARTIST PUBLICATION page 11, Nava Press.

In tandem with the exhibition opening, FiBRA launches its premier publication
created in response to the journey taken by 8 international artists in early 2018.
An artistically opening, ecologically engaging and anthropologically captivating
publication that takes the reader on a path to delving deeper into the social histories
of textiles in Colombia. With an introduction by George Brae, a short story by
Gabriella Sonnabend and a sociological reading by Juliana Steiner, immersed with
interviews and statements by the artists including Maise Cousins, Laurence Owen
and Charlotte Colbert; FiBRA fuses journalistic photography, unique artistic
illustrations, and personal discussions that comment on this cultural exchange.
A central aspect of our project was the collaboration with two indigenous
communities based in Colombia, The Kogi and Wayuu communities, for whom the
preservation of ancient skills in the working of fibres have been passed from
generation to generation. Most of Colombia’s rural communities consider natural
fibres to be the core, indispensable element of their social structure. These objects
are carriers of the communities’ myths and beliefs. The very structure and process of
textiles have an intrinsic relationship to cultural customs and the social fabric of
these communities. By looking into these traditions, we can shed light on many
contemporary issues, including gender politics, the ecological changes of humankind
and how globalisation in the coming decades will affect these practices.
During a transitional time in global issues, this publication sees Colombian history
and the future of Indigenous Cultures examined both personally and theoretically, in
the face of upcoming development and the threat of freedom of movement.
Each publication contains 4 postcards with images by FiBRA Residency participating
An Artist Publication by FiBRA PLATFORM ©
Director and Editor: Mia Pfeifer
Art Direction, Design and Publication Coordinator: Bea Bonafini
Associate Editor: Emily Bryson
Edition of 50
Made in Italy by NAVA Press - 2018